Out of curiosity, I tried importing some Nikon raw files (.NEF) straight into Resolve (no DNG conversion) and the white balance was way off. That could mean, again, that if you export the raw files, Resolve cannot read the data and shows the unprocessed data instead. I don't use Lightroom, but it may use some sort of database for the adjustments. Resolve probably doesn't recognize the picture profiles from stills cameras and shows you the actual raw unprocessed data. It contains all kinds of settings from sharpness to curves. A "picture profile" is a Nikon term, I think, the same thing may be called something else in other brands. That's why you see the raw image in Lightroom looking "like it should". I think that Lightroom and other photo editing programs read the camera metadata and picture profiles from stills cameras and apply the adjustments according to what was set in camera when shooting. Hopefully the support team will provide a positive answer to this! Fingers crossed Looking for a 100% resolve workflow instead if that is possible.
Grading raw stills via lightroom and lr timelapse then exporting to jpg is the common workflow around, and that works, just cumbersome. Wfolta wrote:I had some time and poked around a lot and I think the answers you've gotten and what you found yourself is the answer: convert in bulk to JPEG/TIFF/EXR or whatever you can using whatever tool will let you get things out of AdobeRGB and into something that video tools can use: sRGB, P3, Rec2020, etc.
#Lrtimelapse not recognizing adobe dng code
It's not even clear that the code ever actually worked. I did find a long and extremely (walking through code) technical discussion in these forums about using DCTL code to convert. I couldn't find any LUTs that do the conversion. Maybe +25% Sat and then Tint towards red?) (And I think you'll need to be in a larger timeline colorspace than AdobeRGB to pull it off anyhow. I imagine any simple tricks will mess things up like that. I noticed, by the way, in your shot where you increased saturation by 25% that you ended up with more green than Photoshop, but less red. (I imagine Adobe supports their own photo space, even in their video product.) You're caught up on the fence between photo and video and as far as I can tell, there's no way to use AdobeRGB in the video world with the possible exception of in Premiere. I had some time and poked around a lot and I think the answers you've gotten and what you found yourself is the answer: convert in bulk to JPEG/TIFF/EXR or whatever you can using whatever tool will let you get things out of AdobeRGB and into something that video tools can use: sRGB, P3, Rec2020, etc. Anyone using this workflow who could provide some tips?ĭoes anyone know what color space and gamma those DNG files should be set to as inputs? (for info, the current pictures I'm working with were shot on GH5 and A7siii) I tried to play with different parameters but I don't seem to find the right settings. and/or Raw options (under Camera Raw in the color tab) color management / science in the timeline settings Resolve being so good at grading raw video footage, I imagine it would be just as suited for grading raw photos / timelapse right? Is it possible to get to the same "starting point" as in Lightroom by setting things up correctly in one of the following sections maybe? That workflow is appealing to me, but I am facing one major issue, when I import the DNG photos (treated as one single timelapse video by Resolve) colors on import aren't looking near as good as they are when I just open them in Lightroom. I recently discovered that it's possible to import DNG photos directly into Resolve, which sounds great for a simple workflow to edit and grade timelapses (as opposed to going through Lightroom and/or LRTimelapse first). Was about to create a new thread but came accros that one which is about the exact same issue. RAW TIMELAPSE COLOR GRADING : color settings for grading RAW (DNG) photos in Davinci ? //
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